creativeLIVE Photography Braodcast FREE this week

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Do you have time to watch video interviews this week? The subjects will interest you if you are serious about income from your photography.

Be sure to register and watch live broadcasts from creativeLive starting today. They'll offer interviews from over 50 professional photographers about tons of shooting subjects then between broadcasts you'll have 15 minutes to gather your notes, have a cup of coffee or just stretch. Enjoy and click the link below.

creativeLIVE

It won't help to contact me if you have problems, I am not affiliated with the site, nr am I being paid in any way. Best of luck.

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From Dull to Dramatic Photography

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While this may not be dramatic in a bright happy colorful sense it is so, if in a dark and foreboding way. With this subject I will admit it was easier than if I had chosen an image which was bright and colorful with lots of sunlight, still even then one can cause an ordinary image to appear near HDR without all the added work and in many cases the use of software to produce the tonal mapping needed. Take this original image of a door within an abandoned barn, with the use of flash. From Drop Box As you can see the amount of light hitting this well defines all of the aspects of the term abandoned, the failing paint, the rust on the handle, the cobweb within the latch opening and generally the decadent condition overall. This much light reflects really more than I want in this photo, so rather than lowering the exposure and losing too much information (btw this works well in most well-lit sunjects, i.e. lowering exposure, I am not the best at flash adjustments, so I use PP or post
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Shooting Christmas Can be Fun.......or........

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Shooting can be a lot of fun. Formal shots seem to take a lot of prep work if one wants to get everything perfect, like making sure nothing in the background conflicts with the subject which is your critical Aunt saying she doesn't like it that Bernie's coat is so ugly hanging on the wall behind me. Or just the usual clutter which can easily invade a nice grouping of the family. It pays to take the time to pick out a bare wall or large window so long as the flash will not bounce back at you. In the other hand if you are going for the candid approach, and want to avoid the background clutter which is unavoidable in most cases, try placing a lens of portrait class, say a Canon EF 135mm f/2L USM Lens for Canon SLR Cameras which when opened wide you'll produce enough bokeh, or background blur to avoid most of the stuff and leave you with a wonderful clear shot of your Aunt who won't be able to critique your photo without using a compliment. What I hear most often from re
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Consciousness Coupled with Photography Art

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  Ever considered how Art affects our Consciousness? Sit down sometime, maybe now, eyes off your screen(s), awareness on your wall art, and feel the art change your mood. We are capable of launching our consciousness back from the brink of overstimulation and it should gift us with a pleasurable sense. Do not glance, but take it in. This is not meant to be family pictures, but art we have invested in. We chose it, we purchased it for a very special reason.  Much has been written about time on our screens, little about the sense we absorb, ingest and assimilate as we commingle with our wall art. There ought to be a lifting of sorts, an uncommon ground with which we find solace, peace, or energy and spirit, with our art. The very reason the art was hung, is to bring to us a feeling that nothing else in our homes, or offices can.  If you're feeling it, then you should find it more often. Screens are great for learning, and not so great for feeling it. There are too many distractions.
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Soft Proofing in Photoshop

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Soft Proofing an image is the most accurate way to achieve the look of how the print will appear on paper. Ever noticed that your print doesn't come out quite as vibrant as it looked in Photoshop? Surely there are a host of reasons outside the scope of this article, but I'll make the assumption you already are familiar with image preparation and color profiling, paper selection and the how of printing basics. Once you have these down the next step is to get your image to the very closest that your camera's image sensor captured. Open your file in Photoshop. Next choose View, Proof Setup, Custom. The window reads Customize Proof Condition. Select Device to Simulate, then proceed to choose the paper profile you will be printing on. There will come associated with the imbedded profiles Photoshop and your printer software has already configured. You may also have added a few for certain papers or profiles from your print shop.  Select the one you wish to print to, for exa
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Happy Mother's Day Mom

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Happy Mother's Day. This is in honor of my Mother, whom most of her friends call Dot. I caught her in the midst of preparing the kitchen for dinner.     I should say that Mom, Dot, is much more than a Mom to me, she is an Angel. She has been my inspiration for positive thinking for a lifetime and continues to inspire me. Why? I can recall when I was very young and was tied to the farm, milking cows, slopping hogs, feeding horses and chickens, gathering eggs, all of this twice a day, that I used to complain about not having enough time to spend with my friends who were all free of these (work duties - ahem) activities, and she'd say, "Well what would the animals do without you?" How could I argue with that? Or when I'd come in with near frozen fingers from winter's chill and she'd have a warm steaming wash towel for my hands. "Here", she'd say, "this will warm you in no time". Why else? She has spent many, many years helping
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Do you ever shoot for free?

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Give your opinion in the Comments section below after signing up. Our readers want to know how you feel. For those of you who'd rather not sign up answer the poll in the column to the right. I've created a typical scenario which I've discussed with many photographers over time who've shared their talent alongside starving artist status. The discussion is almost always the same, ENP (Every New Photographer) seems to feel the need to give freely of their skills in order to gain business. After all how do you get business without giving a little? The discussion usually goes something like this. RCPhotos: So when does one start charging for your photography skills? Do you? ENP: Oh I'm new at this so when a friend asked if I'd take a few shots of their new baby I said sure, no problem. My idea was that they'd see some really good results and maybe pass my name around. RCphotos: How did it go? ENP: Well they said they'd tell everyone they knew but af
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Not Having Much Fun With Photoshop?

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I am guilty of this too. I am constantly learning about using tools in PS and learning new ways of using them. Time goes by and we just keep doing the same stuff, or variations over and over to increase our skills. But then we see someone else's work and we are awed by it. I recently saw some digital art from a photograph converted to a near painting and found out that it was done with brushes I don't have. Fortunately the link was included in the post. Jump to the link above or below, and you'll see more brushes that you'll ever use in your lifetime. Well I guess that depends on your age, but it's certainly true for me. If you like a particular set, check back in and share them with us. Also if you like your work, link us to something you've done. Have fun at Get Brushes .com
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Soft Focus your Photos

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Let's take a photo I shot of our cat Rayden. He's slightly large and rather soft looking anyway but we thought we'd like to see an even softer version. So as you can see the original shows quite a lot of the photo in focus save some to the right rear. Understand that for this purpose I am pushing the results to demonstrate how far one can go to get maximum effect. You won't probably go this far, nor would I. Open your photo in PS, make a background copy, by dragging the background image in the layers pallet down to the create a new layer icon, just to the left of the garbage can, and release. You now see a background copy of your original image. Make sure that copy is still highlighted. Go up to Layer> Layer Mask> Reveal All. Next click on the photo so the mask is not highlighted, but the photo to its left, is highlighted. Then to Filters> Blur> Gaussian Blur and choose a rather high blur so that your brushing out the blur will be obvious. Of course this d
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Photo Use Acronyms Explained

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Two very special prints at Fort Vancouver NHS a National Park

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